Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Master of the Vienna Lamentation
Left wing of an altarpiece with the Circumcision and the Virgin of an Annunciation

ID: 92868

Master of the Vienna Lamentation Left wing of an altarpiece with the Circumcision and the Virgin of an Annunciation
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Master of the Vienna Lamentation Left wing of an altarpiece with the Circumcision and the Virgin of an Annunciation


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Master of the Vienna Lamentation

painted Left wing of an altarpiece with the Circumcision and the Virgin of an Annunciation in c. 1515-1525   Related Paintings of Master of the Vienna Lamentation :. | Concert dfgj | Detail of Crucifixion with Madonna and St.John | Sunday Evening | Portrait of an Old Jew | The Sacrifice of Isaac |
Related Artists:
Henry Ottmann
painted Nature morte aux fruits et a la fiasque de vin in 20th century French, 1877-1927
Auguste Bigand
France (1803 - ) - Drawer
Henry Singleton
British Painter, 1766-1839,English painter and illustrator. His father died when he was young, and he was brought up by his uncle, the miniature painter William Singleton (d 1793). In 1782 he entered the Royal Academy Schools in London and in 1784 won a silver medal for a drawing from life, exhibiting at the Royal Academy for the first time the same year. He showed considerable promise and in 1788 won a gold medal for a painting inspired by John Dryden's ode Alexander's Feast that was especially praised by Reynolds. In 1793 Singleton was commissioned by the Royal Academy to paint the group portrait the Royal Academicians Assembled in their Council Chamber (London, RA). He soon became noted for his paintings inspired by the Bible and from literary sources, among them Manto and Tiresias (exh. 1792; London, Tate) from John Dryden's Oedipus, and for his depictions of contemporary historical events, of which the watercolour Design Commemorative of the Abolition of the Slave Trade (1807; London, BM) is an example. Many of his works were engraved in mezzotint and achieved a widespread popularity. He also painted portraits, the writer James Boswell (c. 1795; Edinburgh, N.P.G.) being one of his sitters. Many of Singleton's later works are inclined to be sentimental and were carelessly executed; they were often intended solely for engraving.






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